This poem has nothing to
do with my fear of flying—
although it easily could.
I sense everything from the
ground. There’s a reason we
call it Earth. Latin’s Terra
if you will. Dhulka in Somali.
Ojibwe’s Ni Mama Akii.
This poem is not of soil
but of birds. Of wing &
worm & seed. Check that—
even the worms are spared.
The man in the maga hat
has hollered speak English
or go back home! His middle
finger rises like a drawbridge.
His world is hedged in hate.
The couple at the table
have been trading Te amo. Sharing a
shake between them.
A mother in the park will
sway her infant like a
hammock. Cradles like an
otter & her pup. Her hijab
ingests the light. What is the
idiom for this? Love is its own
eternal tongue.
I’m at the See the Stars for
Free
at the planetarium. Every
seat’s inhabited—as if Aaliyah
has returned to sing of heaven.
The children gape in awe.
Every pigmentation
paints the aether. Nebulae are
in labour, birthing life from death.
Almost like a God. Such is the stretch
of creation. Nothing need ever be said.
There’s no alphabet we can
conjure in the hospice. The kiss on a
belovѐd’s brow. The calm of clasping
hands—synonyms have been lacking
for this silence—the gasp that’s
lifted skyward, the crack in a
peeling ceiling, the glory by our
side betwixt our breath.
Andreas Gripp
August 19, 2026
photograph: Satnam Film / Pexels
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