I
am a marvelous housekeeper.
Every
time I leave a man
I
keep his house.
—Zsa Zsa Gabor
Character is what
you are inside your
car. Forget that in-the-
dark rubbish.
It’s when you’re driving
solo that you’ll cuss to
kingdom come. Raise a
phallic finger to the putz
who’s jumping lanes as if
it’s tennis; Zsa Zsa
flipping husbands
like she’s Century 21;
then the Sunday morning clods
inside their putt putt, plodding to
St. Satan’s
like a slug upon a sloth.
Their honk if you love Jesus
makes you reach for a
phantom musket.
The cops who flout
the rules are even
worse. Kings of the
Rolling Stop. Rubbing their
exemptions in your face.
They’ll read your lips with
ease—as though they’re
HAL 9000—
know obscenities like a
wiener knows its beans.
The clown who rides
your ass is just as grating.
His bumper mounts
your trunk as if
a hippo in his heat.
Bruh, there’s kids
around.
Then the lie
from GPS,
stating your ETA is
merely an hour away—
as though there are
no potholes, the nonchalant
of reds, each one
timed to your fury, how much
you’re in a hurry—
and the pedestrians
who dawdle as they
cross, fixated on their
phones, googling
Wimpy’s Diner,
or maybe Shangri-la,
musing on how much
further they’ll have to mosey,
thumbs up to the wind,
catch a lift
like Claudette Colbert,
skirt pulled to her
thigh, Gable left
blindsided by a
siren’s ability to
pause; leave you idle
by the ditch
as if you’ve no place
better to be that
very moment.
Andreas Gripp
July 20, 2026
movie still from It Happened One Night (1934)
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